The Oogieloves in the BIG Balloon Adventure (2012)

THEY COME FROM THE MAN who gave us the Teletubbies.

They look like Barney the Dinosaur, the Doodlebops, and H.R. Pufnstuf had a freaky three-way.

They had the worst box-office opening of all time.

And now, they’re coming to your home.

Yes, last fall’s infamous bomb The Oogieloves in the BIG Balloon Adventure is now available on home video. It features the adventures of full-bodied puppet-kids Goobie, Zoozie, and Toofie as they plan a surprise birthday party for their friend Schluufy, who happens to be…a gibberish-spewing pillow. But when their friend, a vacuum named J. Edgar (because he’s a Hoover, get it?), trips and loses five magical balloons meant for Schluufy, the Oogies set out to retrieve the balloons in time for the party.

The Oogieloves in the BIG Balloon Adventure is an interactive movie, with the Oogies talking to the screen and urging preschoolers to get out of their seats at various points in the film and take part in song and dance routines, complete with follow-the-bouncing-ball lyrics displayed at the bottom. These overzealous commands quickly spiral out of control, often coming just minutes apart and sometimes lasting for mere seconds before the kids are told to sit down. (It makes the stand-sit-pray frequency of a Catholic mass look tame.) The songs are of the Chinese-water-torture variety, repeating the same verse over and over until you confess to crimes you didn’t even commit.

The Oogies encounter actual human beings in their journeys, and it makes you wonder what career-ending scandals these actors are hiding that allowed them to be blackmailed into appearing:

• Cloris Leachman as a polka-dot-loving shrew named (wait for it) Dottie
• Chazz Palminteri as Marvin Milkshake, who basically hazes his customers into dancing for their drinks at his dairy bar
• Toni Braxton (whose recent bankruptcy might explain her presence here) as a pop diva in a painfully long segment where she sings a ballad about coughing and sneezing
• The Princess Bride’s Cary Elwes, who seems to be enjoying himself way too much as a bubble-loving cowboy whose bouncy swagger makes him look like he has to pee
• Jaime Pressly as a latino salsa dancer and her partner Christopher Lloyd, who’s dressed in flamenco garb and speaks only by beating his bongos

And just when it seems all of Schluufy’s birthday balloons are safely retrieved by the Oogieloves, they’re lost again due to a strong wind. But before you can say deus ex machina, the balloons declare, “There’s only one thing stronger than the wind: love!” So the Oogies – and I am not making this up – start blowing kisses over and over to bring the balloons back. It’s at this point your mind starts coming to grips with the fact that the entire film centers around a surprise birthday party for a pillow. (When does life exactly begin for a pillow? Is it the manufacture date on the tag?)

Spoiler alert: The Oogies’ kisses bring the balloons back and the party is a success, as Schluufy sits there like some kind of stuffed invalid while everyone dances around him, seemingly rubbing their mobility in his face.

On some level, the Oogieloves’ creator Kenn Viselman (he of Teletubbies and Thomas the Tank Engine fame) should be commended for trying something different with the interactive nature of The Oogieloves in the BIG Balloon Adventure and its world of bright colors, soft shapes, and surreal settings. But factor in the trite, grating musical numbers, stilted dialogue, inept animal puppetry, often-insulting tone, and complete lack of substance, and you’re left with nothing more than an 88-minute mess. The Oogieloves in the BIG Balloon Adventure may be filled with the best intentions, but so is the road to Hell.

Rating:

What did FilmBoy and Jack-Jack think?

FilmBoy thought The Oogieloves in the BIG Balloon Adventure was awful, declaring at mid-point, “How is the guy who created this not embarrassed?” Jack-Jack kept saying repeatedly, “Why was this in the theaters?” – though secretly, I think he may enjoy the film more than he lets on.

Is it suitable for your kids?

From a strictly content perspective, yes – unless you consider Jaime Pressly kissing the Oogieloves’ pet fish on the lips to be subversive.

Will your FilmMother want to watch it?

My FilmMother thought The Oogieloves in the BIG Balloon Adventure was trippy, annoying, and devoid of any educational value. Halfway through, she said to me, “We’re never gonna get these moments back, you know.”

More like the Oogiehates, amiright?

Thank you, try the veal.

The Oogieloves in the BIG Balloon Adventure
* Director: Matthew Diamond
* Screenwriter: Scott Stabile
* Stars: Christopher Lloyd, Cary Elwes, Jaime Pressly, Cloris Leachman, Chazz Palminteri, Toni Braxton, Garrett Clayton, Maya Stange, Nick Drago, Malerie Grady, Steve Blackwood
* MPAA Rating: G


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The Muppets (2011)

REALITY CHECK: There are now generations of children who haven’t been properly exposed to the special brand of adorable anarchy that is the Muppets. This is a crime.

Apparently, actor Jason Segel (Forgetting Sarah Marshall) felt the same way. Drawing on his fond childhood memories of the original Muppet movies and The Muppet Show, he championed a new feature film for his formerly famous felt friends (fun fact: I love alliteration). That film, simply titled The Muppets, opened over the Thanksgiving holiday.

Plot:
The premise is inspiring, and has one foot in pseudo-reality: The Muppets disbanded years ago, and no one has heard from (or cared about) them since. But this may change as Kermit, Fozzie Bear, Miss Piggy, and the gang reunite to throw a telethon to save the Muppet Theater from being demolished by a greedy oil tycoon, Tex Richman (a perfectly evil Chris Cooper). Leading the charge are two brothers: human Gary (Segel) and his Muppet brother Walter (voice of Peter Linz), who dreams of one day being an official member of the Muppets himself.

Critique:

In creating The Muppets, Segel (who co-wrote the script) and director James Bobin had two daunting tasks: 1) Satisfy the nostalgia of Gen X-ers raised on the original Muppet movies and The Muppet Show; 2) Hook the current generation of children who only know Muppets from the benign edutainment of Sesame Street.

Did they succeed? Regarding the latter, time will tell if there’s room today among kids’ fast-paced, CGI-laden entertainment for a bunch of felt characters who haven’t been big since the Reagan administration. But for parents who were raised on Kermit, Fozzie, and Miss Piggy’s antics, The Muppets hits all the sweet spots of nostalgia. If you’re a Gen X-er (like yours truly), you’ll feel like a kid again as the film shows clips of the old Muppet Show, pans past framed pictures of former guest hosts, and hauls out a new yet faithful rendition of “The Rainbow Connection,” the signature song from the original Muppet Movie.

Like the Muppet films that preceded it, the humor in The Muppets is very self-aware. Clever bits include traveling “by map” to get places faster, and the Muppets agreeing that a montage would be the best use of time for rounding up the remaining members of their gang to save the theater.

The Muppets works best when the humans don’t get in the way. Yes, there are human villains and a slew of celebrity cameos in the original trilogy of Muppet films (The Muppet Movie, Great Muppet Caper, and The Muppets Take Manhattan). But the Muppets didn’t share the main storylines in those films with anyone who wasn’t a fellow felt creation. While it’s understandable Segel would want to write himself into his dream project, you wonder how much leaner the film might have been had he relegated himself to a cameo or supporting role.

The Muppets’ original musical numbers by Flight of the Concords’ Bret McKenzie are good, the standouts being the big opener “Life’s a Happy Song” and the hysterically overwrought “Man or Muppet.” However, the licensed soundtrack choices are trite and uninspired, including tired anthems such as “Back in Black,” “Bad to the Bone,” and “We Built This City.”

Another area that’s anemic is the lackluster roster of celebrity cameos, which in past Muppet films has been populated either by current A-listers or Hollywood royalty. To compare: The original Muppet Movie has Milton Berle, Bob Hope, Mel Brooks, James Coburn, Dom DeLuise, Madeline Kahn, Richard Pryor, Steve Martin, and Orson Welles. With The Muppets, we get Emily Blunt, Judd Hirsch, Ken Jeong, Jim Parsons, Sarah Silverman, John Krasinski, Emily Blunt, and the kid from ABC’s Modern Family. (One plus: Neil Patrick Harris’ cameo is both fleeting and funny.) You also have to wonder if kids who watch The Muppets generations from now will know or remember Jack Black (Kung Fu Panda 2), the “celebrity host” (emphasis on the air quotes) that the Muppets get to emcee the telethon.

Soundtrack and celebrities aside, nearly everything about The Muppets feels right. It’s fun to watch, and it exposes today’s kids to the joys of Muppet mayhem. After a rousing finale, the audience in our theater applauded. And as we left the theater, I was happy.

But once we got home, the cinematic equivalent of buyer’s remorse set in. Did Segel and Bobin just use a large chunk of Muppets nostalgia to make their movie work? Aside from some new, uneven musical numbers, what did they bring to the Muppet legacy to re-establish it, as was surely the plan with this project?

Look at it this way: Midway through The Muppets, Miss Piggy declares they’re going to get a celebrity host for their telethon “by any means necessary.” The same goes for the film itself. If it means nostalgically hijacking the Muppet memories of Gen X-ers to get a new generation of kids to know, cherish, and bond with Kermit and company, fine. Whatever it takes. The truth is, as you’re watching those memories unfold on screen, you won’t care. You’ll just be happy to see the Muppets again – and that today’s generation of kids can now discover what they’ve been missing.

Rating:

What did Dash and Jack-Jack think?

They loved The Muppets, laughing frequently and eating up the antics. Some of the plot logistics may have gone over their heads, but it didn’t faze the fun they were having – though Jack-Jack was quick to point out, upon Fozzie demonstrating his “fart shoes:” “See, that’s why it’s rated PG.”

Is it suitable for your kids?

The Muppets is rated PG for mild rude humor, aka the aforementioned fart shoes. Aside from those shoes, a comical fistfight breaking out at a relaxation center, and some menacing by Cooper’s Tex Richman, there’s nothing terribly inappropriate for kids.

Will your FilmMother want to watch it?

Absolutely. And she should. Despite its minor flaws, she’ll love The Muppets. See it as a family; if you don’t have kids, see it as a couple. It’s worth it.

"Wow, there it is...where all the Oompa-Loompas make Everlasting Gobstoppers..."
"Uh, Gary, you're thinking of a different place..."

The Muppets
* Director: James Bobin
* Screenwriters: Jason Segel, Nicholas Stoller
* Stars: Jason Segel, Amy Adams, Chris Cooper, Jack Black
* MPAA Rating: PG


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Forgetting Sarah Marshall (2008)

One of my favorite (and most underrated) shows on TV is How I Met Your Mother. It has the distinction of being, aside from The Office, the only live-action sitcom in my TiVo’s Season Pass.

One of the stars of HIMYM (as we fans sometimes call it) is Jason Segel, aka “Marshall” – which is a nice segue into my review of Forgetting Sarah Marshall, written by and starring Segel himself.

Plot:
• Segel plays Peter Bretter, a frustrated musician who works as the composer for a cop show – starring his girlfriend, Sarah Marshall (Kristen Bell) – while trying to finish his dream project: a vampire puppet musical (you read that right).
• After Sarah breaks up with Peter (in a much-ballyhooed scene where Segel is nude), he escapes to Hawaii to be alone, since he had planned to go there anyway before he and Sarah broke up. But guess who else decides to go to Hawaii, and stay at the same hotel – bringing along the man she cheated on Peter with: rock star Aldous Snow (an often hilarious, over-the-top Russell Brand).
• While at the hotel, Peter gets sympathy from (and falls for) hotel employee Rachel, played by That ‘70s Show’s Mila Kunis.

Forgetting Sarah Marshall did offer me several chuckle-out-loud jokes, but overall, I didn’t laugh as much as I had hoped. Still, I found myself invested in the story and Peter’s adventures. Segel does what anyone should do with a character: he makes you feel for Peter, you squirm with his pain, and you actually feel happy for him when things go his way or people treat him nicely.

One pleasant surprise was watching Mila Kunis. She shows nearly none of the traits of her screechy, annoying ‘70s Show character Jackie, and several times I forgot it was Kunis I was watching. It was enjoyable to see her maturing as an actress.

Cameos in the film include Saturday Night Live’s Kristin Wiig as a passive-aggressive yoga instructor, Knocked Up’s Paul Rudd as a spacey surfing instructor, and Superbad’s Jonah Hill as a hotel employee who idolizes Russell Brand’s rock-star character. And SNL’s Bill Hader turns in a hilarious supporting role as Peter’s stepbrother.

I do have one larger gripe, and it’s not with the film itself, but with the way it was marketed...

In all the TV and online trailers, Forgetting Sarah Marshall was promoted as a knee-slapping, potentially gross-out comedy – when in reality, it plays more like a dramedy. I accuse last summer’s Knocked Up of the same crime; that too was more slice-of-life with occasional riotous humor. When you expect one thing and are given another, it can be a letdown – even if what you’re shown is good. (An observation: Judd Apatow directed Knocked Up and produced Forgetting Sarah Marshall. I wonder if he oversaw their trailers, too.)

Rating: 3 stars (out of 5).

Will your kids want to watch it?

If you have teens or pre-teens, I can see why they might think Forgetting Sarah Marshall is cut from the same cloth as Superbad, just with older stars. However, be forewarned that in addition to some rather explicit adult language, the film has A LOT of graphic sexual situations (naked and clothed), plus non-sexual nudity by Segel that reveals his, uh, “little Jason.”

Will your FilmMother like it?

Probably, since it’s a relationship movie that – despite ingredients that include Hawaii, a rock star boyfriend, and a vampire puppet show – is ultimately relatable. And you don’t have to tell her this, but it does provide a sweet ending – though it could have reached it a bit sooner, in my opinion (the film clocks in at 2 full hours).


Forgetting Sarah Marshall
* Director: Nicolas Stoller
* Screenwriter: Jason Segel
* Stars: Jason Segel, Kristen Bell, Mila Kunis, Russell Brand, Bill Hader
* MPAA Rating: R (sexual content, language and some graphic nudity)


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