Gummibar: The Yummy Gummy Search for Santa (2012)

APPARENTLY I’M NOT HIP to what’s, uh, hip in the world of online videos.

Turns out there’s this dancing fella from Germany called Gummibar, who’s racked up tens of millions of hits on YouTube with his infectious series of techno, Autotuned dance songs like this:

After dozens of videos with song topics ranging from soccer to love to bubble baths, Gummibar’s next step was obvious: his own Christmas movie.

In Gummibar: The Yummy Gummy Search for Santa, after Santa is kidnapped by Allen the alien, Gummy and his friends – Harry the chameleon, Vampiro the bat, and Calla the cat – jump into action to rescue him to keep Christmas on schedule. (They take the group’s jet plane, because of course they have one.)

 

Look, anyone who willingly watches this movie isn’t looking for high art. Taking that into consideration, Gummibar: The Yummy Gummy Search for Santa is a harmless, entertaining way to pass an hour with your kids if you’re snowed in or they’re warming up from playing outside. It has good-enough animation (Harry the chameleon’s independent eye movements are a nice touch) and eye-rolling punchlines your kids will eat up. It also has a sense of self-awareness (someone calls Gummy a “famous dancing green confectionary from the Internet”) and passing references to Die Hard 2, The Wizard of Oz, Jerry Maguire, Chinatown, Titanic, and Top Gun.

Gummibar: TYGSS also features several musical numbers (yes, Gummy does his signature tune), including songs as part of a dance-off between Gummy and Allen for possession of Santa – though someone should have told directors Jurgen Korduletsch and Bernie Denk that when it comes to Gummy’s song “Nuki Nuki” (German for “pacifier”), the term “nookie” means something entirely different in America. Lyrics like “How I love my nuki” and “My nuki never leaves my mouth” take on a whole new unintended meaning…

At times it may feel like a glorified TV special, but Gummibar: The Yummy Gummy Search for Santa is passable fun for your family Christmas viewing – though it may take a team of specialists to remove the green guy’s songs from your head.

Rating:

What did FilmBoy and Jack-Jack think?

FilmBoy liked Gummibar: The Yummy Gummy Search for Santa, but it was Jack-Jack who loved it. He laughed out loud at many jokes, and could barely stay in his seat during much of the action.

Is it suitable for your kids?

Gummibar: The Yummy Gummy Search for Santa is unrated, but features some mild rude humor: Santa lets out a quick fart squeezing into a chimney, says “my butt hurts” after landing on his rear, then shows a little “plumber’s crack” while bending over to pick up presents. In other areas: Alan the alien does kidnap Santa, but it’s never shown as malevolent; Calla gives Vampiro a quick kiss under a mistletoe.

Will your FilmMother want to watch it?

Depending on her mindset going in, she’ll most likely feel that Gummibar: The Yummy Gummy Search for Santa is either very disposable or somewhat annoying. She could probably find better ways to spend her time…and worse ones, to be fair.

Hey family, Santa here.
Y'know, there's this service called a chimney sweep?!

Gummibar: The Yummy Gummy Search for Santa
* Directors: Jurgen Korduletsch, Bernie Denk
* Screenwriters: Jurgen Korduletsch, Bernie Denk
* Stars: Sonja Ball, Rick Jones, Bruce Dinsmore, Mike Paterson
* MPAA Rating: N/A


Rent Gummibar: The Yummy Gummy Search for Santa from Netflix >>

The Great Bear (2011)

IN CASE IT NEEDS TO BE SAID, great animated films don’t always come from Pixar, Disney, DreamWorks, or Blue Sky Studios. Sometimes they don’t even come from America (i.e. Japan’s Studio Ghibli, home of legendary animator Hayao Miyazaki).

If The Great Bear is any indication, we might soon be looking at Denmark as a future hotbed of well-crafted animated storytelling. The film follows big brother Jonathan (Markus Rygaard) and little sister Sophie (Alberte Blichfeldt) as they visit their grand-dad (Elith Nulle Nykjær) at his home in the woods next to The Great Forest. Grand-Dad warns the kids never to enter The Great Forest because “it’s full of strange animals,” including The Great Bear – a gigantic brown bear (we’re talking stories high) with a forest of trees growing out of its back. When Sophie mistakenly enters The Great Forest and vanishes, Jonathan goes in after her, crossing paths with a lone hunter (Flemming Quist Møller) who’s determined to kill the bear after it demolished his village.

Comparisons of The Great Bear to Miyazaki’s classic My Neighbor Totoro are fair: Both feature a pair of bickering siblings who discover magical creatures in a neighboring forest. To that extent, The Great Bear is My Neighbor Totoro’s rougher, tougher older brother. There’s danger, gunplay, and more perilous action in Jonathan and Sophie’s adventures, which has them encountering such surreal creatures as a herd of miniature moose, comical blackbirds, and frogs that bring rain when you make them croak.

Then there’s The Great Bear himself, an ursine behemoth and a masterwork of CGI animation. Yet despite his gargantuan girth, Jonathan soon learns what Sophie’s known all along: The only thing monstrous about the bear is his size. He’s actually a gentle giant who only lashes out when provoked or threatened. Jonathan then stops trying to rescue Sophie from The Great Bear and starts helping her protect him from the determined hunter.

With The Great Bear, first-time feature film director Esben Toft Jacobsen mines the many strengths of CGI animation to create a rich, deep, captivating experience, just like Miyazaki did with Totoro’s gorgeous 2-D animation nearly 25 years ago. Jacobsen’s film features beautiful, fantastic scenery, plus a distinct European style of animation that may seem slightly different (and a bit less refined) than what American audiences are used to.

A hit at international film festivals, The Great Bear touches all the sweet spots that a children’s film should: friendship, loyalty, adventure, and love for all living things. Sadly, it has yet to find a U.S. distributor. If you or anyone you know can help distribute The Great Bear in America, contact the filmmakers and let them know. This film deserves an audience here in the States. [UPDATE 6/16/14: The Great Bear is now available in the U.S., including Amazon Instant and Walmart.]

Danish, with English dubbing.

Rating:

Is it suitable for your kids?

The Great Bear is not rated, but does have some violence/scariness: Jonathan tells Sophie scary stories about The Great Bear; he slaps her when she calls him “dumb;” he falls in a hole and gets a bloody wound on his wrist; he follows drops of blood to locate the bear after the hunter shoots him; and he pulls a bullet from a wound in the bear’s mouth. The size and growls of The Great Bear may be scary to very small children. The hunter gets scarier and more violent as the film progresses: He shoots into a cave, nearly hitting Jonathan; he shoots at the bear multiple times, hitting him once in the mouth and causing Sophie to plummet from the top of the bear’s head to the ground; he calls Sophie a “little brat,” takes her away from Jonathan, and locks her in a closet in his cabin; he crushes one of the blackbirds in his hand (we’re to believe it’s dead); he sets fire to the forest to flush out the bear; when Jonathan tries to stop him from shooting the bear, the hunter hits Jonathan in the face with the butt of his gun, knocking him to the ground; in the finale, he shoots the bear again, this time in the back. Also in the finale, someone is killed by a falling boulder; the screen cuts to black upon the impact. The only questionable language is Sophie calling Jonathan “dumb” and, when Jonathan says he smells something funny, she asks, “Did you fart?” 8 years and older is probably the appropriate age for viewing.

Will your FilmMother want to watch it?

If she’s a fan of animated films and magical storytelling, and can handle animals and children being put in peril along the way, she’ll surely enjoy The Great Bear.

Don’t even think of asking me if I want a pic-a-nic basket.

The Great Bear trailer:

The Great Bear
* Director: Esben Toft Jacobsen
* Screenwriters: Jannik Tai Mosholt, Esben Toft Jacobsen
* Stars: Markus Rygaard, Flemming Quist Møller, Alberte Blichfeldt, Elith Nulle Nykjær
* MPAA Rating: N/A

Grizzly (1976)

After the success of Jaws (1975), theatres in the late ‘70s were overrun with “animals gone wild” films – quickie attempts to ride the wave of Steven Spielberg’s great white shark. Audiences were hit with forgettable fare like Food of the Gods, Day of the Animals, The Swarm, and – arguably one of the best of this crop – Grizzly (though that’s not saying much).

Grizzly is so brazen in its rip-off of Jaws that it’s almost admirable:
• A giant animal devouring people
• A law enforcement official trying to keep things under control
• An authority figure who wants to keep the area open for tourists
• An unorthodox trio who track the beast to take him down
• A haunting speech by the captain/pilot about why and how the animal kills man
• An over-the-top finale with a big explosion

Despite this small mountain of coincidences, Grizzly is fairly watchable cheese. Christopher George plays head park ranger Michael Kelly with all the grit and gusto he can muster. In scenes where he trades barbs with park supervisor Joe Dorsey, the dialogue is ‘70s TV-quality at best, B-movie at worst (“You’re a maverick!” “I want a full investigation!”)

Speaking of B-movies, Grizzly’s special effects never reach above that level. The blood is brighter than a child’s finger paint, and several scenes of dismemberment use quick cuts to avoid showing the sub-standard effects (the movie is especially gory for a PG-rated film).

Director William Girdler employs the same tactics Spielberg did in Jaws – not showing his killer beast too soon, filming from the animal’s point of view, shooting the creature with tags instead of barrels – and they do add an element of suspense to earlier scenes. There is also some breathtaking aerial cinematography by William L. Asman. But everything Girdler mimics from Jaws is executed in Grizzly on a much less successful level. (Girdler would only direct three more films, including the aforementioned Day of the Animals, before dying in a helicopter crash in 1978.)

If you’re looking for a “good” Jaws rip-off, watch Alligator (1980). It’s got a solid script, better special effects, and, unlike Grizzly, deliberate humor. (It was recently released on a special edition DVD, featuring an interview with screenwriter John Sayles and commentary by star Robert Forster.)

Did you know?
Grizzly’s theft of Jaws elements went right down to the casting and guest screenwriting:
• Susan Backlinie, the doomed swimmer at the beginning of Jaws, was a victim of Grizzly’s bear (her scenes were cut).
• Andrew Prine (as helicopter pilot Don and knock-off of Robert Shaw’s Quint from Jaws) wrote his own dialogue for the “Indian story” of how a grizzly in the 1800s ate native Americans (Shaw wrote his own dialogue for Quint’s famous U.S.S. Indianapolis monologue).

Rating: 3 stars (out of 5).

Will your kids want to watch it?

Your kids have probably never even heard of this film. But if your have curious pre-teens, I would keep it away from them.

Will your FilmMother want to watch it?

Highly unlikely, unless you want to tag-team on shouting insults at the screen a la Mystery Science Theater 3000.

Grizzly
* Director: William Girdler
* Screenwriter: Harvey Flaxman & David Sheldon
* Stars: Christopher George, Andrew Prine, Richard Jaeckel, Joan McCall, Joe Dorsey
* MPAA Rating: PG (graphic violence, adult language and situations)



Buy this movie for less at Half.com >>