Cars 2 (2011)

I’M SURE I’M NOT ALONE when I say I have two boys under the age of ten who love Pixar’s 2006 release Cars. It’s a near-perfect match for young boys: A cartoon movie about talking cars, fast races, and the true meaning of loyalty and friendship. (And to my wife’s satisfaction, the meanest villain is merely an obnoxious cheater.)

So when Dash heard there was going to be a Cars 2, we knew we’d be going to see it the moment it hit theaters. It’s Pixar, they’re characters our family loves, and it’s based on Pixar’s most kid-friendly film. It’s bound to be great, right?

Right?

Plot:
Star racecar Lightning McQueen (Owen Wilson) and his best friend, tow truck Mater (Larry the Cable Guy), head overseas to compete in the first-ever World Grand Prix. But the road to the championship is filled with potholes, detours, and surprises when Mater gets caught up in an intriguing adventure of his own: international espionage. Torn between assisting Lightning McQueen in the high-profile races and being part of a top-secret spy mission, Mater's journey leads him on explosive chases through the streets of Japan and Europe, trailed by his friends and watched by the whole world.

Critique:

In various interviews, Cars 2 director (and Pixar co-founder and Disney/Pixar Chief Creative Officer) John Lassetter has said he wanted to do something completely different with this sequel compared to the original.

And therein lies the problem.

Cars 2 is far removed from what made the original so endearing (even if Cars is basically Doc Hollywood with wheels). Cars 2 is driven entirely by plot, not character – the complete antithesis of any Pixar film that came before it. To make matters worse, the plot (a battle of alternative fuel vs. oil) is far too complex and adult-centric for children to follow, much less care about.

In terms of characters, the old gang from Radiator Springs is back, but almost incidentally: Luigi, Guido, Fillmore, and Sarge join the adventure, but we only see the rest of the gang at the beginning and end of the film. Development of the main characters is also at a minimum: There are occasional hints at the special friendship of McQueen and Mater, but the sentiment quickly vanishes and we’re off to the races again (literally).

Then there’s the noise factor. While it’s expected that McQueen’s three big races will have loud engines, screeching tires, and an occasional crash, the remainder of Cars 2 is flooded with booming explosions, unrelenting action, and extended scenes of bullet-spraying violence.

The screenplay by first-time Pixar scribe (and second-time feature film writer) Ben Queen feels like it was commissioned rather than crafted. There’s near-zero character depth, and jokes often feel like they’re pulled from a sitcom, relying too often on toilet humor and double entendre.

On the plus side: In true Pixar fashion, Cars 2 is visually gorgeous, especially the Tokyo segment. There are grown-up jokes about VIN numbers, Japanese culture, and airport security that hit the mark. And the idea that all the villain cars are discontinued lemons (Pacer, Gremlin, etc.) is inspired.

Unlike Pixar’s previous, moving films like Toy Story 3, Up, and WALL-E, not one tear will be shed by anyone while watching Cars 2…except maybe tears of sadness for how badly Pixar has stumbled with this entry (which unfortunately comes out as the company celebrates its 25th anniversary).

Taking into account Lassetter’s unabashed love of cars and what makes them go vroom, Cars 2 comes off as a pet project by the boss that no one dared question in terms of its unoriginal storytelling, lack of character development, convoluted plot, and inappropriateness for children.

It’s been five years since Lassetter directed the original Cars, and a dozen years since his previous Pixar directing gig, Toy Story 2. In that time, it seems he’s either losing his touch as a director...or has lost touch with what audiences want from a Pixar film.

Rating:

What did Dash and Jack-Jack think?

Sitting through Cars 2 is an exhausting experience for filmgoers of any age, but especially for kids. Dash and Jack-Jack were restless and fidgety by the end of the second act; the endless onslaught of car chases, gunfire, and explosions simply drained them. Also, like the original Cars, this sequel clocks in at nearly 2 hours – way too long for the attention span of children.

Is it suitable for your kids?

It’s unfathomable how Cars 2 received a G rating by the MPAA. It contains even more intense action and violence than Pixar’s PG-rated The Incredibles. Nearly every car involved in espionage fires a gun, and many of the shootouts are excessive; also, several cars are tortured and killed.
In addition to the scatological humor, there’s other questionable language including threats of violence (“Lightning McQueen must be killed,” “I’m gonna make sure you stay dead”), sexually suggestive insults (“Your mother,” “Your sister”), and in the Tokyo segment, Mater hits a gong and declares, “Bang a gong, get it on!”

Will your FilmMother want to watch it?

If she’s looking for the sentiment and fun from the original Cars in this sequel, she’ll be highly disappointed.

Vee have vays uff making you like zis movie...

Cars 2
* Director: John Lassetter
* Screenwriter: Ben Queen
* Stars: Owen Wilson, Larry the Cable Guy, Michael Caine, Emily Mortimer, John Turturro, Eddie Izzard
* MPAA Rating: G


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Toy Story 3 (2010)

BECAUSE OF THE BUILT-IN AUDIENCE, the pedigree of Pixar, the near-universal agreement of critics, and its recent multi-record-breaking weekend at the box office, it really doesn’t matter what I say about Toy Story 3.

However, since I was fortunate enough to see it on opening weekend as part of my family’s Father’s Day celebration, I feel compelled to provide a timely review…

Plot:
11 years have passed since Toy Story 2 (how is that possible?), and little Andy is now heading off to college, leaving his toys – led by Woody (Tom Hanks) and Buzz Lightyear (Tim Allen) – worried about what will happen to them. Fearing they’ll be thrown out as trash, they get themselves donated to a local daycare center, whose toys are presided over by the avuncular Lotso-Huggin’ Bear (Ned Beatty). But Woody, Buzz, and the gang soon realize the daycare center is more of a prison than a playplace – and the only way they can escape is through a daring, dangerous breakout.

Critique:

Because of the iconic status of Buzz and Woody, and how often the first two Toy Story sequels have been played in my home, it felt almost surreal to see Andy’s toys in the new environments of this third installment. I actually felt a bit emotionally detached from the action for the first half of the film, as the toys discover their new home at the ironically named Sunnyside day care center.

That’s not to say the first half of Toy Story 3 isn’t enjoyable; the new toys that Buzz and Woody’s gang meet at Sunnyside are a fun mix of new and familiar, including breakout character Ken (Michael Keaton). And the attention to detail that director Lee Unkrich and the Pixar animators bring to scenes, such as Lotso giving Andy’s toys a tour of Sunnyside, are beyond belief.

Midway through Toy Story 3 is where things kick into high gear. Realizing that a carefully plotted escape is the only way out, Andy’s toys embark on an elaborate breakout a la The Great Escape that must have taken the Pixar team months to storyboard.

But it’s the film’s third act where Unkrich and screenwriter Michael Arndt save the heavy emotional stuff that comes from knowing these characters for the past 15 years. The final scenes involving Andy and his mom, as well as Andy and his toys, are bittersweet but realistic…a testament to the powerful impact of this animated feature.

It’s almost getting tedious to say it with each new release, but with Toy Story 3, Pixar has indeed done it again.

Tidbits:

• While we saw the 3D version of Toy Story 3 (it’s all Dash would talk about when mentioning TS3 over the last six months), it adds very little except to the price of your tickets – and Jack-Jack, our 4-year-old, refused to wear the 3D glasses after 20 minutes. So unless your kids are clamoring for the 3D experience, stick with the 2D version.
• In the bedroom toys of Sunnyside preschooler Bonnie (Emily Hahn), watch for a cameo by the titular character of Hayao Miyazaki’s My Neighbor Totoro. Disney/Pixar chief creative officer John Lassetter (who directed Toy Story and Toy Story 2) idolizes Miyazaki, and Disney is the US distributor of Miyazaki’s films.
• Actor John Morris has been the voice of Andy for all three Toy Story films.

Rating:

What did Dash think?

Dash wasn’t disappointed after building up his excitement for Toy Story 3 over the last few months. He was completely engaged in the film, laughing often and loving it all – without the need for a single bathroom break.

Will your kids like it?

* Something tells me your kids will love, not like, Toy Story 3. The film is full of action, colorful characters (in both personalities and hues), and humor for all ages.
* There are a couple of spots where the film gets dark in tone, particularly a perilous scene near the end involving Andy’s toys. And while my family found the cymbal-clanging monkey who guards Sunnyside at night to be hilarious, the close-ups of him shrieking and wailing had a couple of little kids crying in our theater.

Will your FilmMother want to watch it?

I hope she would, and I hope she will.

Am I living in a box? / Am I living in a cardboard box?

Toy Story 3
* Director: Lee Unkrich
* Screenwriter: Michael Arndt
* Stars: Tom Hanks, Tim Allen, Joan Cusack, Ned Beatty, Don Rickles, Michael Keaton, Wallace Shawn, John Ratzenberger, Estelle Harris, Blake Clark
* MPAA Rating: G



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Ratatouille (2007)

LET ME PREFACE this review by saying that I love the stand-up comedy of Patton Oswalt. His material and delivery make him accessible yet intelligent and, above all, funny as hell.

I’m also a fan of director Brad Bird. Specifically, I’m a major fan of his animated movies. After his terrific films The Incredibles and The Iron Giant, he could retire and no one would fault him.

So when I heard in early 2007 that Oswalt would be the lead voice in Ratatouille, a Pixar film directed by Bird, I was ecstatic. My favorite comedian, a genius of animated film, and inarguably the powerhouse in animated storytelling? I couldn’t wait.

Plot:
A rat named Remy (Oswalt) dreams of breaking free from his family’s pack of scrounging rats and becoming a gourmet chef, following his idol Gusteau (Brad Garrett).



Critique:

I really, really wanted to love Ratatouille. I was ready to follow Remy for two hours on his quest for something more than stealing garbage to survive…to rise above the stigma of being a rat and live his dream of being a great chef.

But 30 minutes in, the story detours from Remy’s quest and to the trials of Linguine (Lou Romano), a garbage boy at Gusteau’s restaurant who’s mistakenly praised for a terrific soup that Remy made and is forced to repeat his success (with a large assist from Remy, who hides under Linguine’s chef hat and pulls his hair to move Linguine’s arms).

So for the middle third of the film, it’s all about the humans: Linguine trying to repeat his earlier, accidental success; fellow chef Colette (a terrific yet unrecognizable Janeane Garofalo) begrudgingly helping him; and the surly head chef (Ian Holm) trying to stop him.

And frankly, the whole gimmick of Remy sitting under Linguine’s chef hat and working him like a puppet feels beneath Bird – and for a Pixar film, it smacks of laziness.

I hate to be simplistic, but with Disney and Pixar, I want – and expect – escapism. Bring on the talking animals or objects, not a cast of animated humans. (For the record, The Incredibles were superhumans, so they get a pass.) I mean, think of the Disney animated films with predominately human casts: Pocahontas. The Hunchback of Notre Dame. Hercules. Tarzan. All largely forgotten.

Still, it’s unfair to fault Bird for all of Ratatouille’s shortcomings. According to the excellent book The Pixar Touch, Bird inherited the project from Pixar brass after they felt original director and story creator Jan Pinkava’s vision was lacking.

On the plus side, the way Ratatouille treats food and cooking is irresistible. You will want to eat rich, delicious meals after the movie ends. And as usual with Pixar, the animation is flawless. (Can we officially take this as a given from now on?) The movements, the expressions, the scenery, the Paris skyline…simply amazing.

Going into Ratatouille, I was really hoping (and was quite confident) that based on the talent involved, it would be my favorite Pixar movie. Unfortunately, it rests just above A Bug’s Life as my least favorite.

Rating:

Will your kids like it?

If you're kids are like Dash, they’ll probably be less critical of Ratatouille than adult Pixar snobs like myself – though with a 111-minute running time and long stretches of dialogue without action, I wouldn’t be surprised if they lose interest before the end.

And even though Ratatouille is rated G, there are some elements which make you wonder why it wasn’t rated PG, including:
• Comic gunplay as an old lady shoots at the rats infesting her home
• Skinner tells Linguine “welcome to hell” on his first day as a chef
• Skinner gets Linguine drunk to get the truth about how he cooks so well
• A whole subplot of whether Linguine is Gusteau’s illegitimate son
• Rows of dead rats hang in a storefront window of a pest control company

Will your FilmMother want to watch it?

My wife was as underwhelmed with Ratatouille as I was. If you’re looking for a Pixar film to enjoy together, there so many better ones to choose from. May I suggest: The Incredibles, Monsters, Inc., Finding Nemo…

Step away from the soup...

Ratatouille
• Director: Brad Bird
• Screenwriter: Brad Bird
• Stars: Patton Oswalt, Ian Holm, Lou Romano, Brian Dennehy, Peter Sohn, Peter O'Toole, Brad Garrett, Janeane Garofalo
• MPAA Rating: G


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Finding Nemo (2003)

I CAN’T BELIEVE I let Father’s Day pass without reviewing a movie that focused on dads, or the relationship between a dad and child.

To amend for that oversight – and to cleanse Dash and my palates of the last two lackluster kids’ films we watched (here and here) – I popped in Finding Nemo.

Plot:
Overprotective, recently widowed clown fish Marlin (Albert Brooks) takes his son Nemo (Alexander Gould) to his first day of school. But when Nemo rebels after yet another of Marlin’s lectures about playing it safe, he’s snatched up by a diver, who takes him away. With the help of a friendly, forgetful blue tang named Dory (Ellen DeGeneres), Marlin begins the seemingly impossible quest of finding his son and bringing him home.

Critique:
• Like Monsters, Inc., Finding Nemo is a movie that you view much differently after becoming a parent. The film starts by playing on one of our worst fears – having one of our children be lost or abducted – then takes us on Marlin’s journey, against seemingly overwhelming odds, to bring his boy home.
• Directors Andrew Stanton (WALL-E) and Lee Unkrich (Toy Story 3) – with a script from Stanton, Bob Peterson, and David Reynolds – pack enough adventure into Nemo’s 100 minutes to fill three films. There are so many layers and sequences, with a massive amount of characters – each one fully fleshed out thanks to a cast whose voices perfectly fit their respective roles.
• The underwater world of Nemo is amazing, full of rich colors and lifelike underwater movement – not just the fish themselves, but their surroundings as well.
• In addition to the main story and characters, there's an abundance of smaller treasures in Nemo that help make it such a joyful experience: The shark support group. The “tank gang.” The “Mine! Mine! Mine!” seagulls. The father-and-son, surfer-dude sea turtles (dad Crush is voiced by Stanton). The pitch-perfect score by Thomas Newman. The “heyyy, heyyy, heyyy” crabs. The school of fish impressionists (voiced by Pixar lucky charm John Ratzenberger).
• And while I’m not the biggest Ellen DeGeneres fan, she is priceless as Dory – providing comic relief while dishing out the occasional pearl of wisdom.

As fathers, we each want to be a hero in our kids’ eyes; a brave, loving, and trusting protector who knows when to hold our children tight, when to loosen our grip…and when to let go (something Marlin learns on his quest to find Nemo).

For me, Finding Nemo captures that dad-as-hero ideal in the simple look of awe and admiration on Nemo’s face when the pelican Nigel (Geoffrey Rush) tells him about Marlin’s adventures. That’s the face we all want our kids to have when they look at, or even think about, their father.

By the way…if you’re a father with young kids, and you don’t get misty at least once while watching Finding Nemo, call your doctor. Something’s wrong with you.

Rating: 5 stars (out of 5)

What did Dash think?

Dash talks a lot when we watch Finding Nemo – not out of boredom, but excitement and laughter. He always wants to share the amazing and funny moments in the film, sometimes just to make sure that I “get it.”

Will your kids want to watch it?

• The more appropriate question is, “How soon will you want your kids to watch it?” If you have young children, Finding Nemo is an absolute must-see.
• That being said, there are a few intense scenes and scary fish, and Nemo’s mommy dies in the opening segment (albeit off-screen). Use your judgment showing Nemo to the pre-K crowd.

Will your FilmMother like it?

She won’t like it; she’ll love it. Finding Nemo is a great, virtually flawless film. And even if she has seen it, it’s worth another viewing…or five.

Mine?

Finding Nemo
• Directors: Andrew Stanton, Lee Unkrich
• Screenwriters: Andrew Stanton, Bob Peterson, David Reynolds
• Stars: Albert Brooks, Ellen DeGeneres, Alexander Gould, Willem Dafoe, Brad Garrett, Allison Janney, Geoffrey Rush
• MPAA Rating: G


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The Incredibles (2004)

October is just around the corner, as is Halloween…which made me think back to last year, when my wife and I dressed up our sons as Dash and Jack-Jack, two characters from Pixar’s The Incredibles. And the more I thought about the movie that inspired their costumes, the more I realized how amazing The Incredibles truly is (notice how I deliberately did not describe The Incredibles as “incredible”).

I don’t often gush about a movie, but The Incredibles is such a perfect film that I don’t know where to start praising it – so I’ll start with the plot (cribbed from Amazon.com):

Bob Parr (aka Mr. Incredible) and his wife Helen (Elastigirl) used to be among the world's greatest crime fighters, battling evil on a daily basis. Fifteen years later, they’ve been forced to adopt civilian identities and retreat to the suburbs where they live "normal" lives with their kids Violet, Dash, and Jack-Jack. Itching to get back into action, Bob gets his chance when a mysterious communication summons him to a remote island for a top-secret assignment. But he soon discovers that it will take a super family effort to rescue the world from total destruction.

The Incredibles succeeds in so many areas, but I’ll try to keep to the ones that impressed me most:
• A script by director Brad Bird that hits all the right notes for making a great film, live or animated: character development, believable dialogue, and sympathetic, relatable protagonists to name a few.
• Extended, heart-pounding action sequences, any of which could be the climax of a lesser action film.
• A love-to-hate villain in Syndrome (Jason Lee), whose origin I won’t disclose in case you haven’t seen the film yet.
• A great dissection of the family dynamic: Bird’s script effectively humanizes the superhumans in the Parr family, including Mr. Incredibles’ mid-life crisis, Elastigirl’s yearning for a functional family, and the sibling rivalry between Dash and Violet.

The Incredibles is a film whose brilliance is a growing revelation for the movie fan. After one viewing, you see that it’s great. But it’s only with repeated viewings that you realize how great. You recognize and appreciate something new about it each time you watch it.

Additional viewing from Brad Bird: By all means, watch his criminally overlooked 1999 film The Iron Giant. You can then follow it with his 2007 Oscar winner Ratatouille, featuring one of my favorite comedians ever, Patton Oswalt, as the voice of Remy the rat.

Rating: 5 stars (out of 5).

Will your kids want to watch it?

I would sure hope so. In fact, I would make it required viewing for all your children above a certain age. I say that because The Incredibles is rated PG for a few reasons: superhero fights, intense action sequences, some ominous-looking evil robots, and a couple of on-screen deaths via explosion (which may or may not sink in for the younger crowd).

Will your FilmMother like it?

Again, I would sure hope so. Even if she’s of the “I don’t like cartoons” mindset, sit her down and make her watch this film. I bet by the halfway point, you won’t even need to restrain her.

The Incredibles
* Director: Brad Bird
* Screenwriter: Brad Bird
* Stars: Craig T. Nelson, Holly Hunter, Samuel L. Jackson, Jason Lee, Spencer Fox, Sarah Vowell, Elizabeth Peña
* MPAA Rating: PG (action violence)


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Buzz Lightyear of Star Command: The Adventure Begins (2000)

I think you know my thoughts on Disney’s line of direct-to-DVD films. But once my 5-year-old saw the preview for Buzz Lightyear of Star Command: The Adventure Begins on our rented copy of Toy Story 2, I knew I’d be watching it sooner than later.

But guess what? It wasn’t awful.

Buzz Lightyear of Star Command follows Buzz (Tim Allen) as he tries to stop Emperor Zurg (Wayne Knight) from stealing the Unimind. I know, isn’t that just pure evil?

Oh, what’s the Unimind? It’s this large, Saturn-looking brain thing that the Little Green Men use to think as one (remember how they thought and acted in the first two Toy Story movies?).

After the supposed death of his partner Warp (Diedrich Bader) at the hands of Zurg, Buzz swears off partners until he’s forced to team up with a new rookie, Mira Nova (Nicole Sullivan). From there, we follow Buzz and his ragtag bunch of do-gooders as they attempt to stop Zurg’s plan to make the Unimind “bad” and control the thoughts of everyone in the galaxy.

With its lightweight plot and rubbery, 2-D animation, it’s hard to believe that Buzz Lightyear of Star Command is a Disney•Pixar property. In fact, I wonder how much say Pixar had in allowing a film like this to be made with one of their flagship characters.

That being said, the movie did its job of entertaining my 5-year-old son. And it pains me to say it, but I did catch myself chuckling a few times. Consider some of the Airplane!-esque captions that appeared in the corner of the screen:

[Long shot of galaxy] SPACE. DUH.
[Shot of Zurg’s hideout] ZURG’S TOWER. NOTE BIG GUN ON TOP.

And get a load of this evil command by Zurg: “Target the planet of widows and orphans!”

Buzz Lightyear of Star Command ends with a deux ex machina, just-like-that finish that allows good to triumph over evil (sorry, did I spoil the end of a Disney movie?). The film spawned a short-lived TV series on the Disney Channel – which I should’ve seen coming, since the final credit of the film actually says, “Produced by Walt Disney TV Animation.”

BONUS: The song playing over the closing credits is “To Infinity and Beyond” by William Shatner, sung in his unique spoken-word style: “To…INFINITY…andbeyond.” Much like Buzz Lightyear, the Shatmaster knows no bounds.

Rating: 2.5 stars (out of 5).

Will your kids like it?

• My 5-year-old son ate this movie up, and laughed quite a bit. Not to stereotype, but I bet boys would be drawn more to this movie than girls – though there is a strong female character in the form of Mira Nova.
• The film did have healthy doses of laser gunplay, though only once was a human character hit (he survives) – the rest were all robots of one sort or another.

Will your FilmMother like it?

Hard to say. I know my FilmMother was fine with me watching this film with our son while she was out shopping. Draw your own conclusions from there.

Buzz Lightyear of Star Command: The Adventure Begins
* Director: Tad Stones
* Writers: Mark McCorkle, Robert Schooley, Bill Motz, Bob Roth
* Stars: Tim Allen, Nicole Sullivan, Larry Miller, Stephen Furst, Wayne Knight, Adam Carolla, Diedrich Bader
* MPAA Rating: G

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WALL•E (2008)

Over the past six months, my 5-year-old son absorbed everything Pixar offered in teasing their upcoming film, WALL•E: billboards, TV spots, online clips, you name it. So when the film finally came out this past weekend, my lovely and loving wife volunteered to stay home for our 2-year-old’s afternoon nap so I could take his big brother to the local multiplex.

And I’m glad she did. WALL•E is a great film — a triumph on multiple levels. It tells the story of a garbage-covered Earth 700 years in the future, where all humans have evacuated the planet and are living on luxury spaceships while Earth is cleaned up by WALL•E (Waste Allocation Load Lifter – Earth Class) units.

There’s only one WALL•E still operating, and life’s a bit lonely for him. Only a cockroach sidekick and an old videotape of Hello, Dolly! keep him company. Until one day, a rocket ship lands and deploys a robot named EVE, whose mission I’ll keep secret. Eventually, WALL•E and EVE form a bond, one which takes them to one of the spaceships containing the pampered, doughy, somewhat baby-shaped humans awaiting the chance to go home (or are they?).

WALL•E is yet another amazing entry in Pixar’s film oeuvre. A good story, great balance of action and cuteness, and animation so amazing you forget it’s not models or studio sets. It also carries a none-too-subtle message about consumerism, corporate culture, and our bloated human race as a whole.

(An observation: This is Pixar’s 9th consecutive creative and box office success. In the near-40 years I’ve been on this planet, not even Disney has had that kind of a hot streak.)

Rating: 4.5 stars (out of 5).

Will your kids like it?

My 5-year-old son was entranced with the film from beginning to end. There are a few intense scenes of action (EVE packs a laser gun she uses about a half dozen times) and spaceships loudly igniting and landing, but nothing I’d label scary or frightening. That being said, I think it was wise to keep our 2-year-old home.

Will your FilmMother like it?

Absolutely. Even if she’s not a sci-fi fan, she’ll get past it quickly once EVE shows up and the courtship between her and WALL•E begins.

WALL•E
* Director: Andrew Stanton
* Screenwriter: Andrew Stanton
* Stars: Ben Burtt, Elissa Knight, Jeff Garlin, Fred Willard, Sigourney Weaver, John Ratzenberger, Kathy Najimy
* MPAA Rating: G


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