Taken 2 (2012)

THE ORIGINAL TAKEN gave us another reason to like the already likable Liam Neeson: We got to watch him dish out some serious kicking of ass in his quest to rescue his kidnapped daughter.

In Taken 2, we’re reacquainted with Neeson’s overprotective dad and former intelligence operative, Bryan Mills, who’s even more overprotective thanks to the events of the first film, where his teenage daughter Kim (Lost’s Maggie Grace) was kidnapped, drugged, and about to be sold as a sex slave. As Bryan copes with Kim’s new boyfriend (Luke Grimes) and her inability to pass her driver’s test, he invites Kim and his ex-wife Lenore (Famke Janssen) to join him on a security detail-slash-vacation in Istanbul. But soon after they arrive, the vengeful relatives of the kidnappers Bryan killed in the first Taken kidnap Bryan and Lenore, leaving Kim to elude the captors while trying to find and rescue her parents.

Let’s be honest: A large amount of the first Taken’s appeal was to watch Neeson dole out tactical and brutal revenge against the men who took his daughter. Unfortunately, he doesn’t unleash his very particular set of skills on the bad guys until the last 20 minutes of Taken 2. In the meantime, he’s telling Kim what to do via cell phone as he tries to find a way for him and Lenore to escape their captors.

There are also several scenes of incredulity that hamper the film. Neeson’s captors, who have him at gunpoint, wait until he makes and finishes a call with Kim before abducting him. Kim can’t pass her driving test, but she barrels down the narrow streets of Istanbul in a stolen taxi like Jason Bourne. The overuse of musical crescendos to tip off pivotal moments gets annoying, and a bit insulting. And much like how Taken tried to play off 25-year-old Grace as a high school student, it’s now even harder to buy 29-year-old Grace as a soon-to-be college freshman.

Despite the efforts of awesomely named director Olivier Megaton, and returning Taken co-writers Luc Besson and Robert Mark Kamen, Taken 2 is merely passable and ultimately forgettable. Bottom line, the adventure’s not the same when Neeson’s not the one who’s large and in charge.

Rating:

Is it suitable for your kids?

Taken 2's rated PG-13 for intense sequences of violence and action, and some sensuality.
Action/Violence: A man is tortured to gather information; there is a lot of hand-to-hand combat; many people are shot; a few people are slashed with knives. There are several intense foot chases and car chases (featuring multiple crashes).
Adult Situations: Kim makes out with her boyfriend, fully clothed.
Language: Several occurrences of “sh*t.”
Alcohol: Bryan and Lenore drink wine in one scene.

Will your FilmMother want to watch it?

Nothing really for her to see here. If pressed, watch the original Taken with her for a better experience, though the theme of child abduction and the intense violence may turn her off.
 

That's a helluva way to skip out on the room bill.

Taken 2
* Director: Olivier Megaton
* Screenwriters: Luc Besson, Robert Mark Kamen
* Stars: Liam Neeson, Maggie Grace, Famke Janssen, Leland Orser, Jon Gries, D.B. Sweeney, Luke Grimes, Rade Serbedzija
* MPAA Rating: PG-13



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Kung Fu Magoo (2010)

MENTION THE NAME “Mr. Magoo” to anyone under 30, and you’ll probably get a blank stare. Or in honor of Magoo’s handicap, maybe a squinting, legally blind stare.

Mr. Magoo was a series of cartoon shorts created in 1949 featuring the misadventures of Quincy Magoo (voiced by Gilligan’s Island star Jim Backus), whose incredibly poor vision put him in all kinds of slapstick misunderstandings, with Magoo completely oblivious to what was really happening. Over the years, Magoo has appeared in various TV series, holiday specials, and movies (including a dreadful live-action film starring Leslie Nielsen). The latest incarnation is 2010’s Kung Fu Magoo, which has Mr. Magoo (Jim Conroy) sharing a home with his nephew Justin (Dylan Sprouse), who mostly rolls his eyes at his uncle’s nearsighted antics.

After inadvertently saving a busload of students from a robotic villain, Mr. Magoo is labeled a hero and recruited by the government to infiltrate Bad Bad Island, with Justin and Mr. Magoo’s dog McBarker along for the trip. Bad Bad Island is led by the sinister Tan Gu (Lloyd Floyd), who is holding the Evilympics, where the toughest supervillains compete in events such as building doomsday devices, battling giant spider robots, and yes, knuckle cracking. Also competing is Justin’s hero, action movie star Cole Fusion (Chris Parnell), who’s there to prove he’s more than just another pretty face.

Despite the film’s title, we don’t get a lot of kung fu fighting from Mr. Magoo. (He gets his moniker because someone thinks he’s striking a Karate Kid-like crane pose while tangled in fishing line.) However, the film makes up for this by providing non-stop action throughout, mostly thanks to the Evilympics events and several chase sequences involving Magoo, Justin, and various pursuants. And while not every one of Magoo’s myopic misunderstandings is laugh-out-loud funny, several are truly hilarious.

A joint effort from DreamWorks Classics (formerly Classic Media) and Mexican-based Anima Estudios, Kung Fu Magoo maintains the spirit of the classic Mr. Magoo character within a contemporary, fast-paced, enjoyable film.

Rating:

What did FilmBoy think?

Initially, he didn’t know what to make of Mr. Magoo – but once Kung Fu Magoo got rolling, he was laughing out loud on several occasions.

Is it suitable for your kids?

Violence/Scariness: Cartoonish violence abounds (punching, knife-throwing, laser guns, rocket launchers, etc.); a boy bullies Justin on several occasions, mostly via water balloons.
Rude Humor: McBarker vomits over the side of a boat; a robot is kicked in the groin and self-destructs; a bird poops on Mr. Magoo’s head. Justin’s best friend in school is a poor Indian stereotype, with a thick accent and protruding teeth.
Language: “Jerk,” “freak,” “hotness,” “kicking butt”

Will your FilmMother want to watch it?

She could do worse than having to sit through Kung Fu Magoo with your kids. It’s often exciting and intermittently funny. And if she’s a Gen-Xer or older, she might feel nostalgic seeing Mr. Magoo again.

“Um, Bob? You might wanna bring a deadlier weapon next time…”

Kung Fu Magoo
* Director: Andrés Couturier
* Screenwriters: Emmy Laybourne, Rob Sosin, Robert Mittenthal
* Stars: Jim Conroy, Lloyd Floyd, Dylan Sprouse, Cole Sprouse, Alyson Stoner, Tom Kenny, Chris Parnell, Rodger Bumpass, Maile Flanagan, Wally Wingert, Candi Milo
* MPAA Rating: N/A



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Superfights (1995)

SOMETIMES, I WORRY that I won’t see another film worthy of Trashterpiece Theatre. But then along comes a movie like Superfights, and all is right with the world.

“Superfights,” as if I have to tell you, are a type of pro wrestling/martial arts hybrid – “where no one knows the outcome!” the announcer assures us – with Superfighters sporting gimmicky nicknames such as Budokai, Dark Cloud, and Night Stalker. Mega-fan Jack Cody (Brandon Gaines) attends every event, even teaching himself the moves he sees his favorite Superfighters perform. (Conveniently, he works in a warehouse full of mannequins, which he uses as practice dummies.)

After Jack becomes a local celebrity by beating up a trio of would-be muggers, he’s recruited by Superfights president Mr. Sawyer (Keith Vitali) to compete in the ring. Jack trains with Angel (Kelly Gallant), a freakishly muscular female Superfighter who overtly flirts with Jack but may have ulterior motives. Watch in amazement as Angel trains Jack using the latest advancements in 1995 technology, including punching at a stream of light and dodging giant phallic pipes that dart out of the walls.

Oh, I almost forgot: Mr. Sawyer’s Superfights empire might be a front for extortion, drug running, mind control, and murder.

Superfights captures the pure essence of direct-to-video, B-movie action flicks of the mid-‘90s. The B-level acting. The hokey, overly serious training montages. The meathead, be-the-best mentality of the fighters. The gratuitous violence. The melodramatic soundtrack, awash in mid-‘90s synth and squealing guitar riffs. This one’s got it all, set against the martial arts hotbed of…Harrisburg, Pennsylvania.

The film also features other ridiculous moments, such as Jack getting attacked by a ninja while jogging in broad daylight – a ninja who, while fleeing, literally tells Jack to “just say no” to the “vitamins” supplied by Angel as part of Jack’s Superfighters regimen.

All that being said, the fight scenes in Superfights are in-sane. Director and fight choreographer Tony Leung gives us dozens of fights featuring rapid-fire exchanges, impressive editing, and over-exaggerated impact with blood, sweat, and spit flying everywhere. It culminates in a multi-fight finale between Cody and Sawyer that’s so amazing, I immediately replayed it once the credits started to roll.

A real-life third-degree black belt, Gaines’ role in Superfights was his first and last in films; he’s now a public speaker, rabbi, and acupuncturist living in California. Gallant, unfortunately, has had her share of run-ins with the law since Superfights, including a wrongful death lawsuit and recent arrests for DUI and probation violation.

Highly entertaining and a candidate for repeat viewing, Superfights delivers the goods in both martial arts action and cheeseballiness – rightfully earning its spot in the Trashterpiece pantheon.

(Bonus: Watch for a brief appearance by wrestling legend Rob Van Dam as a doomed Superfighter. His fight was originally supposed to be much shorter, but the filmmakers were so impressed with his physical abilities that they made his fight longer and took a full day to shoot.)

Rating:

Is it suitable for your kids?

Violence: The Superfights get increasingly violent, leading to bloodied faces and broken bones. Superfighters beat up citizens and two-bit hoods while collecting “protection” money. Several people are beaten to death, many with blood spurting from their mouths. A man is bloodily decapitated by a ceiling fan.
Sex/Nudity: Angel is seen briefly nude from behind as she enters a shower. Jack and Angel share a kiss wearing nothing but bathrobes. Angel makes several overt advances on Jack, with lots of grabbing and groping. Sawyer and Angel are shown getting dressed post-coitus.
Language: “A**hole,” “bulls**t,” “s**t”
Drugs: Superfighters are shown taking Sawyer’s steroid-laced, mind-controlling “vitamins.” A man snorts cocaine.

Will your FilmMother want to watch it?

If she’s the kind of person who enjoys B-movies and talking back to the screen, but doesn’t mind some violence and bloodshed thrown in the mix, Superfights could be a great film for you to share. Otherwise, check it out yourself or with some friends.

Experience the awesome Superfights trailer,

then try in vain to fight your urge to see the film:

Superfights
* Director: Tony Leung
* Screenwriter: Keith W. Strandberg
* Stars: Brandon Gaines, Feihong Yu, Keith Vitali, Kelly Gallant, Chuck Jeffreys, Cliff Lenderman, Brian Ruth, Patrick Lung-Kong, Karen Bill
* MPAA Rating: PG-13


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Junior High Spy (2012)

PUT OFF BY the high-quality entertainment and production value of Spy Kids and Agent Cody Banks? Have we got a movie for YOU!

Junior high student Ricky (Christopher Lazlo) is a budding secret agent in training, thanks to the support of his FBI father, Richard (Harry Edison). But when his dad is kidnapped by Very Bad Men and the FBI’s leads dry up, Ricky enlists the help of his whiz-kid friend Jack (Matthew Downs) to help him track down the bad guys and bring his dad home.

Despite the fact that Junior High Spy is centered around the American-based FBI, the film is obviously a Canadian production – from the unmistakable accent (they talk aboot Ricky’s dad being held hostage in a big hoose, eh?) to the maple leaf flag displayed on the speedboat where the bad guys knock Ricky out and abduct his dad.


This is obviously an independent feature with a limited budget, but the filmmakers should’ve squeezed out a few extra bucks for acting lessons. The kid actors’ wooden, unconvincing performances are fittingly on par with a junior high play, and the adult actors aren’t much better.


The script by Barry Cowan is solid – it’s the execution that comes up short. Flat delivery of lines, uneven pacing, odd editing, and long stretches where nothing happens to advance the story or character development. And despite an abundance of FBI agents and Very Bad Men, not one gun in sight. (Oh, those polite Canadians and their wacky gun control laws!)

Even at just 87 minutes, Junior High Spy is stuffed with gobs of filler – mostly consisting of Ricky patrolling the mansion grounds on his ATV or cheesecake footage of teenager Kate (Jessica Ducharme) strolling the hillsides in a bikini top and short-shorts. In addition, the musical score consists of exactly four themes, repeated ad nauseum: there’s Main Titles Theme, Investigation Theme, Suspense Theme, and Action Theme.

Halfway through Junior High Spy, FilmBoy and I started talking back to the screen at all the ridiculousness. The stiff performances, the “oh no, not again” recurrence of the film’s limited soundtrack, the unconvincing fight scenes…they all provided fodder for us to make goofy comments and turn the experience from brutally painful to barely tolerable.

Released by independent studio Skylight Films and distributed by Inception Media Group, Junior High Spy eventually reaches its happy ending, but leaves the door open for a sequel. One can only hope!*

*That it never happens.

aka Ricky Lazio Jr., FBI.

Rating:

Normally a movie like this would rate 1 star,

but for unintentional entertainment value, it gets:

What did FilmBoy think?

“Okay. It was good. It wasn’t the best I’ve ever seen.” The repetition of the same four soundtrack themes did start to get on his nerves. He also thought it was hysterical the way the Canadian cast says “house” (“hoose”); the fact that it’s said repeatedly by Ricky only made it funnier.

Is it suitable for your kids?

Language: Mentions of “butt,” “dummy,” and “perv.”
Violence: There are several fight scenes, mostly involving martial arts. No bloodshed or deaths.
Adult situations: Kate is seen in various skimpy clothing and bikinis; Ricky shares a kiss with Kate’s younger sister, Kylie (Mikayla Ottonello). The antics of 12-year-old Jack are sometimes uncomfortable: He describes Kate as “definitely hot,” comments on her “heavenly body,” literally pants over her in one scene, and tries to sneak a glass of wine at a swank party at the mansion. There’s brief mention of the bad guys being involved in “smuggling,” though it’s never made clear exactly what they’re smuggling.

Will your FilmMother want to watch it?

Can’t think of one reason why she would.

Let's go to work.
(While being mindful of child labor laws.)

Junior High Spy
* Directors: Mark McNabb, Kelly Rae Irwin
* Screenwriter: Barry Cowan
* Stars: Christopher Fazio, Mikayla Ottonello, Matthew Downs, Harry Edison, Dorothy Downs, Jessica Ducharme
* MPAA Rating: N/A



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The Expendables 2 (2012)

IF YOU TOLD ME 20 YEARS AGO that Rambo, John McClane, and The Terminator were in the same movie, I would’ve pulled a muscle in my sprint to buy a ticket. But now that the men behind those three action icons have finally joined forces in this year’s The Expendables 2, the experience is hollow, anti-climactic, and two decades too late.

Not that Sylvester Stallone, Bruce Willis, and Arnold Schwarzenegger share equal screen time. Like the 2010 original Expendables, this is Stallone’s show, with Bruce and Arnold in supporting roles (though larger than their opening-and-gone appearances in the first film). Here, Stallone’s Barney Ross leads the same team of mercenaries – Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, and Terry Crews – plus two new team members: young sniper Billy (Liam Hemsworth) and weapons specialist Maggie (Nan Yu).

The Expendables 2 opens with a spectacular attack and rescue sequence (despite cheesy CGI blood sprays and poor ADR). This ultimately leads Ross and his team to bad guy Vilain, played by Jean-Claude Van Damme, who’d be more intimidating if you could understand half of what he’s saying. Vilain and his small army plan to steal stockpiles of plutonium from an abandoned Russian mine and sell to the highest bidder, but not before Vilain kills one of Ross’ men. Judging from the pecking order of the cast, you can probably guess who it is (rhymes with “Shmemsworth”).

No one’s looking for high art in the Expendables films or the blow-‘em-ups of yesteryear they hope to emulate. But The Expendables 2 is dumb and ridiculous even by ‘80s standards. Cheesy one-liners elicit more groans than laughs, there are hackneyed references to the stars’ classic action characters and their catchphrases, and every other scene seems to be our heroes walking in slow motion to the “dum-da-da-dum” score by Bryan Tyler.

Essentially, The Expendables 2 is an exercise in missed opportunities. Li disappears after the opening sequence, Mickey Rourke (who had the most poignant scene in the original) does not appear, Van Damme and Lundgren never square off in a possible Universal Soldier rematch, and Chuck Norris’ cameo is pointless and uninspired (he’s basically the Mighty Eagle to the Expendables’ Angry Birds).

And yet again, not one member of Ross’ original team (despite the overwhelming odds) is killed or even seriously injured. Stallone and co-screenwriter Richard Wenk could have really upped the audience involvement by bumping off someone like Statham, Li, Lundgren, Couture, or Crews and made us thirsty for Van Damme’s blood. We can only hope that if the rumored Expendables 3 happens, Stallone and the filmmakers will take a chance and show just how expendable these kill-‘em-all characters truly are.

Rating:

Is it suitable for your kids?

The Expendables 2 is rated R for “strong bloody violence throughout,” and they ain’t kidding: shootings, beatings, stabbings, dismemberments, and immolation, to name a few. In addition, many, many things – from bridges to tanks to planes to buildings – are blown up, crashed, or demolished. Strangely, there is very mild use of profanities (though one use of “retard”).

Will your FilmMother want to watch it?

Highly, highly unlikely. Between the awful dialogue, bloody violence, and aged action stars, I think she’ll feel that what’s not expendable is 103 minutes of her life to sit through this.

Yay, we won! Orange whips on me!

The Expendables 2
* Director: Simon West
* Screenwriters: Richard Wenk, Sylvester Stallone
* Stars: Sylvester Stallone, Jason Statham, Jean-Claude Van Damme, Jet Li, Dolph Lundgren, Chuck Norris, Bruce Willis, Arnold Schwarzenegger, Terry Crews, Randy Couture, Liam Hemsworth, Scott Adkins, Yu Nan
* MPAA Rating: R (strong bloody violence throughout)


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Kirby: Fright to the Finish (2005)

MOST KIDS HAVE one obsession. Something they know everything about. Something they can’t stop talking about. For Dash, it’s Kirby.

You may know Kirby from the many Nintendo videogames he’s starred in over the last twenty years, each featuring a massive cast of characters and powers that make me feel older every time I try to memorize them. In other words, if you’ve ever felt confused or overwhelmed by shows such as Pokemon, Yu-Gi-Oh!, Dragonball Z, or Bakugan, you may feel the same way with Kirby’s universe. (Click here for a primer.)

But in addition to videogames, Kirby also has been the star of his own TV series, Kirby: Right Back at Ya!, which ran on American television in the early 2000s – and culminated with the full-length movie, Kirby: Fright to the Finish.

Plot:
Kirby finds his greatest challenge yet when an invasion of alien spaceships nearly destroys his planet, and he sets off into outer space to confront his archrival eNeMeE ("enemy").

Critique:

Kirby: Fright to the Finish wastes no time getting started: It jumps in exactly where the TV series left off, as we watch Kirby and his friends try to stop eNeMeE once and for all. The action and chase sequences are pretty exciting, even a little bit intense – with lots of weapon attacks and explosions. It all leads to a final battle sequence (Kirby’s crew attacking eNeMeE’s fortress) that gives big-budget, wide-release films a run for their money.

Throughout Fright to the Finish, Kirby acquires unique superpowers by inhaling certain items while riding his Warpstar. It’d take a whole other review to name and describe them all, but here’s a sampling: Baton Kirby, Water Kirby, Iron Kirby, Top Kirby, Crash Kirby, Cook Kirby, Ice Kirby, Bomb Kirby, and Fire Kirby. With each power Kirby obtains, he’s able to lay the smack down on the bad guys in a new and unique way.

For grown-ups, there are a couple of characters whose voices will sound familiar: The awesomely named Meta Knight sounds like Bela Lugosi (he even dons a Dracula-like cape), while King Dedede’s lackey, a snail named Escargoon, sounds like an aggravated Paul Lynde.

I can see why Dash likes Kirby so much; frankly, I probably would have dug him if he were around during my childhood. He’s the classic case of not judging a book by its cover: a cute and unassuming pink puff who, when provoked or threatened, can kick some serious butt.

Yes, there are many, many characters in Kirby’s world. But even though I can’t tell Waddle Dee from Waddle Doo, or Lololo from Lalala, it doesn’t take away from how much fun it is to watch Kirby: Fright to the Finish. It stands on its own as a highly entertaining film.

Rating:

What did Dash and Jack-Jack think?

Are you kidding? Finding Kirby: Fright to the Finish on Amazon for a measly $4 was the biggest and best investment we’ve ever made, as far as Dash is concerned. It’s one of his favorite films, if not the favorite. Jack-Jack enjoys the Kirby-verse as well, getting a kick out of all the different, colorful, magical characters.

Is it suitable for your kids?

Some action scenes in Kirby: Fright to the Finish can get a bit intense, with explosions and Kirby and his friends in peril (the scene where eNeMeE’s “Destryas” (right) attack Kirby’s village is pretty heavy). There is also some minor name-calling (“lame-o”), and a villain describes his wish to push someone off a bridge.

Will your FilmMother want to watch it?

She might make an emotional investment when Kirby and his equally cute friends are in danger, but the amount of action, battles, and stuff blowing up makes me think she may tune out before the end credits.

'Cuz every girl's crazy 'bout a sharp-dressed...uh...
I'll say "vertically challenged humanoid?"

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Black Samurai (1977)

AFTER RECENTLY FINISHING Michael Adams’ excellent book Showgirls, Teen Wolves, and Astro-Zombies: A Film Critic’s Year-Long Quest to Find the Worst Movie Ever Made, I found myself with a list of supposedly terrible movies I felt I had to see in order to truly savor their awfulness.

First on the list: the 1977 kung fu/blaxploitation flick Black Samurai.

Plot:
Special agent Robert Sand (Jim Kelly) is asked by the CIA to save his girlfriend Toki (Essie Lin Chia) after she’s kidnapped by a voodoo cult led by the evil Janicot (Bill Roy). It turns out Toki is also the daughter of a top Eastern ambassador, and Janicot's ransom demand is top-secret information for a new weapon, the “freeze bomb.” Sand’s search takes him from Hong Kong to California to Miami, facing bad men, bad women, and bad animals (Janicot's pet is a killer vulture!).

Critique:
Black Samurai has all the trappings of the ‘70s action genre: groovy opening credits, a funk-tastic soundtrack, sketchy audio, poor looping, stiff acting, overdone karate sound effects, bad editing, lots of Aviator sunglasses, and sideburns a-plenty. But despite all that tasty kitsch, the film as a whole isn’t as satisfying.

In terms of performances, Kelly – who had a memorable supporting role in Bruce Lee’s smash Enter the Dragon – is the lead plank in the wooden cast. (According to Jim Brown, the makers of their film Take a Hard Ride made Kelly’s character mute because he simply couldn’t act.) Dialogue is delivered either in monotones or with misplaced emphasis; the only exception is Bill Roy, who effectively relishes his role as Janicot with proper inflection and smarm.

Low-budget grindhouse filmmaker Al Adamson – whose films weren’t “fun” bad movies as much as “bad” bad movies – doesn’t provide an even or energetic pace to the proceedings. Fight sequences are either quick and done, or drawn-out and lackluster. (Though Sand’s jet-pack sequence left me in a mix of hysterics, jealousy, and how’d-they-do-that intrigue.)

The framework of Black Samurai is a direct lift (read: rip-off) of Enter the Dragon: a debriefing of our hero by government agents who need him for a mission; the hero’s journey to a mysterious island to bring down the big boss; a climactic battle where our hero wipes out dozens of the boss’ guards almost single-handedly; and a cat-and-mouse finale between the hero and boss (instead of a maze of mirrors as in Dragon, Adamson uses a maze of catacombs beneath Janicot’s mansion lair).

In fact, everything in Black Samurai is second-rate – not just to the classic Enter the Dragon, but to the ‘70s kung fu and blaxploitation genres in general. I watched the first hour in one sitting, but having to finish the last 25 minutes a few days later felt like having to do homework I’d been putting off.

While Black Samurai is nearly unwatchable, it should earn an award for Most Ironic Line of Dialogue: After Janicot forces Sand’s CIA buddy (Biff Yeager) at gunpoint to lie to Sand over the phone and lure him into a trap, Janicot declares: “The government even trains its agents to be very good actors.” Hmm. Maybe Adamson should’ve gotten a government grant from the NEA and sent the entire cast of Black Samurai to The Actors Studio.

Fun facts:
* In Kelly’s opening scene, he’s playing tennis. After his acting career faded, Kelly became a professional tennis player, rising to number two in California in the senior men's doubles rankings and reaching the state's top ten in senior men's singles. He now works as a professional tennis coach.
* Adamson’s death is the stuff of one of his films: He was bludgeoned in 1995 at age 66 and cemented in the Jacuzzi at his home by the contractor he had hired.

Rating:

Is it suitable for your kids?

Black Samurai is rated R for language (including a baddie declaring Sand will be “one dead n**ger” and Sand calling another bad guy a “Whitey faggot”), chopsocky violence, and other acts of aggression (people are shot, poisoned by snakes, stabbed, and blown up via car bomb). Also, partygoers ogle a stripper during a party at Janicot’s mansion (no nudity, but she gets down to a bikini top and thong).

Will your FilmMother want to watch it?

Moot point; it’s not worth watching. If she likes ‘70s kung fu and/or blaxploitation, I’d recommend Enter the Dragon for the former and either Pam Grier’s Coffy or Isaac Hayes’ Truck Turner for the latter.

If I cropped this shot any closer, you’d think
they were doing something besides fighting.

Black Samurai
* Director: Al Adamson
* Screenwriter: B. Readick
* Stars: Jim Kelly, Bill Roy, Roberto Contreras, Marilyn Joi, Essie Lin Chia, Biff Yeager
* MPAA Rating: R


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