Congrats to the winners of the Wubbzy's Christmas Adventure DVD!

Here are the three lucky winners, drawn from a hat by Dash himself:

• Bolton


• Kathy B.


• Victor Tse

Winners: Please e-mail me your mailing address to receive your DVD.

Thanks to everyone who entered!

Pariah (1999)

MOVIES WHOSE subject matter is white supremacy or skinheads have always made me uncomfortable. So I was a bit apprehensive when planning to review Pariah.

But when I read that the film’s larger subject matter was revenge (a favorite of mine as evidenced here and here), my interest overtook my discomfort.

Plot:
Inspired by actual events, Pariah tells the story of Steve (Damon Jones) and Sam (Elexa Williams), an interracial couple (he’s white, she’s black). After Steve is beaten and Sam is gang-raped by a group of skinheads – ending with tragic results – Steve decides, months later, to infiltrate the group as a fellow skinhead to destroy them from within.

Critique:

Pariah writer/director Randolph Kret forces viewers to sit through many of the skinheads’ antics (gang attacks, drunken parties, slam dancing) as Steve makes his way into the group. At some point, you’ll find yourself saying, “get on with it” – you want Steve’s attempts at vengeance to come much sooner. (By the third act, the skinheads’ crimes and behavior manage to become shocking and monotonous at the same time.)

Not that I can speak from experience, but a noticeable portion of the skinheads’ dialogue seems forced rather than authentic. Whether it’s the actors’ deliveries or Kret’s script, it’s hard to say. (The sole exception is David Lee Wilson, who portrays one of the more hated punks in recent history as the scrawny, obnoxious second-in-command skinhead.)

Jones delivers a powerful performance as the tormented Steve, although he does go from defenseless victim to methodical infiltrator a bit too abruptly (more “training” for his skinhead persona would have been nice).

Unfortunately, Steve’s revenge never feels fully realized. It’s a rather unsatisfying ending, thanks to another group’s vengeance on the skinheads and Steve’s spontaneous, unfinished final blow to the gang. Frankly, I expected his payback to be a lot more brutal, considering what happened to him and Sam and the lengths he went to carry out his plan.

While Kret’s efforts are admirable, he comes up short in making Pariah an impactful film that stays with the viewer once it’s over. For a more memorable and unnerving portrayal of skinhead life, watch Edward Norton in American History X. That movie stuck with me for days, and still makes me shiver just thinking about it.

Rating:

Will your kids want to watch it?

It doesn’t matter, because there is no way any child should see Pariah. It features a very graphic gang rape, several other explicit sex scenes, a severe gay-bashing, a countless number of profanities and racial/gay slurs, and frequent drug use.

Will your FilmMother want to watch it?

I sure hope not. And if she does, steer her towards a better take on the topic: the aforementioned American History X.


Pariah
• Director: Randolph Kret
• Screenwriter: Randolph Kret
• Stars: Damon Jones, Dave Oren Ward, David Lee Wilson, Angela Jones, Elexa Williams
• MPAA Rating: R


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Win Wow! Wow! Wubbzy!: Wubbzy’s Christmas Adventure on DVD!

YOU COULD WIN one of three copies of the new DVD, Wow! Wow! Wubbzy!: Wubbzy’s Christmas Adventure!

How to Enter:
Comment on this post by November 20, 2009. I will then pick three comments at random and post the winners on November 21. (Winners will then have to e-mail me their mailing addresses to receive their prizes.)

Rules:

• You must have a link to your e-mail address on your Blogger profile page. If not, you must provide your e-mail address in your comment.
• Prizes are available to United States mailing addresses only. (International readers can enter if they have a friend in the States who can accept their prizes by mail.)

Official trailer:

Scroll down to read my review of Wow! Wow! Wubbzy!:
Wubbzy’s Christmas Adventure! or click HERE.

Wow! Wow! Wubbzy!: Wubbzy’s Christmas Adventure (2009)

DASH LOVED Wow! Wow! Wubbzy! when it debuted on Nick Jr. in 2006, but lately he hasn’t watched it or requested it.

So when I was given the opportunity to preview the new DVD Wow! Wow! Wubbzy!: Wubbzy’s Christmas Adventure, I wasn’t sure if Dash would still be drawn to Wubbzy and his pals the way he was in his younger years.

Plot:

Wubbzy’s Christmas Adventure features six winter- or holiday-themed episodes from the show:

• “Snow Day” – Wubbzy (Grey DeLisle) and Widget (Lara Jill Miller) try to fix Walden's (Carlos Alazraqui) polar bear sculpture, after they wreck it several times in his absence
• “O Figgity Fig Tree” – Wubbzy, Widget and Walden struggle to decorate the town’s Christmas figgity-fig tree
• “The Snow Shoo Shoo” – Wubbzy, Widget and Walden try to track down the shy Snow Shoo Shoo (think the Abominable Snowman’s pink, lesser-known cousin)
• “Dash for Dolly” – Widget wishes for a special birthday gift, the Hammering Holly Dolly doll, but Wubbzy can’t afford it – so he makes his own Hammering Holly Dolly for her
• “Great and Grumpy Holiday” – Wubbzy and the gang try to help the town grouch, old man Grumpus, appreciate Christmas
• “The Super Special Gift” – Wubbzy seeks out Santa to see if the fat man can help Wubbzy give a rainbow to his friend Daizy (Tara Strong) as a gift

There is also a music video in between each episode, featuring the show’s trademark new-wavey, kid-friendly, and highly addictive tunes.

Critique:

There’s no denying there’s something endearing about innocently mischievous Wubbzy, handywoman Widget, and affable egghead Walden. And the show itself is a visual treat, with its vector animation and colorful, deliberately pixelated characters and set designs.

The episodes compiled here are all good, but there are a few standouts, particularly “Snow Day,” “Great and Grumpy Holiday,” and “The Super Special Gift.” Best of all, every episode ends with strong yet un-preachy messages about the value of friendships, working together, and forgiving friends when they make mistakes.

There are also several funny nods to A Charlie Brown Christmas strewn throughout, plus a couple winks at Rudolph and the Grinch.

Trivia:
• The voice of Wubbzy, Grey DeLisle, also voices Daphne in the new Scooby-Doo animated films.
• Carlos Alazraqui, the voice of Walden, was the voice of the Taco Bell dog and also currently voices Felipe the screwdriver on Playhouse Disney’s Handy Manny.

Rating:

What did Dash think?

Wubbzy’s Christmas Adventure got lots of chuckles from Dash, who’s watched the DVD multiple times (a la Gotta Catch Santa Claus) since our first viewing together. Specifically, he can’t get enough of “Great and Grumpy Holiday” and old man Grumpus’ hatred for long underwear.

Will your kids like it?

I would think that any kid 7 or under would find Wubbzy’s Christmas Adventure to be fun viewing.

Will your FilmMother want to watch it?

There’s enough going on to keep her interest – cute characters, funny stories, good morals, and enough grown-up jokes to make it enjoyable rather than just tolerable.

Win Wow! Wow! Wubbzy!:
Wubbzy’s Christmas Adventure on DVD!

I’ve got three copies of this DVD to give away! Contest ends November 20th! How many exclamation points can I put in one paragraph?! Scroll up for click here for contest details.


Wow! Wow! Wubbzy!: Wubbzy’s Christmas Adventure
• Director: James Burks, Ron Crown, Steve Daye, Larry Hall
• Screenwriters: Suzanne Collins, Frank Rocco
• Stars: Grey DeLisle, Lara Jill Miller, Carlos Alazraqui, Tara Strong
• MPAA Rating: N/A


Buy Wubbzy’s Christmas Adventure at Half.com >>

Murder, Take One (2005)

THINK ABOUT IT: With the glut of crime dramas, true crime exposés, and reality shows filling our TV lineup, is it really just a matter of time before these three genres procreate and deliver a show featuring all of their elements?

Such is the idea behind Murder, Take One.

Plot:
After a woman is murdered at a hotel, the obvious suspect is caught and interrogated – which is broadcast live on a reality show that’s produced, in the host’s words, “to prevent felonies and engender a secure environment.” But of course, all the pieces to the murder – the suspect, the evidence, the crime – may not be as clear-cut as they seem…

Critique:

Despite the implications of its title, the showbiz angle of Murder, Take One is secondary to the actual murder investigation and its process.

Taking place over a two-day span, the film blurs the line between crime drama and true crime. At times, it feels like Law & Order: Korea, right down to its ensemble cast and screen titles telling us the stage of the investigation (and how much time has elapsed).

Much like its American TV crime drama counterparts, Murder, Take One is very methodical in its execution. It unfurls like a typical police procedural, but sadly it doesn’t rise above that formula. By the third act, Murder veers off the procedural path to involve an exorcism (done largely for the reality show’s ratings), followed by a finale that – while offering a neat twist – closes the film with an otherworldly experience that goes against all the grounded logic that came before it.

And neither that final twist, nor the handful that come before it, are enough to sustain Murder’s 115-minute running time – which ultimately reduces the film’s level of impact from “gripping” to more like “compelling.”

Tidbit: As the lead prosecutor, actor Seung-won Cha is no stranger to playing characters pursuing justice; he played an investigator trying to stop a serial killer in 2006’s Blood Rain.

Korean, with subtitles.

Rating:

Will your kids want to watch it?

I can’t imagine the appeal Murder, Take One would have for children, be they kids or tweens. If you decide to watch the film with children in the house, the only objectionable content might be a brief shot of a nude female body as an autopsy begins, and adult language (as subtitles).

Will your FilmMother want to watch it?

If she’s not a fan of subtitles or police procedurals, then no.

You guys question him…I’m off to get my jacket Bedazzled.

Murder, Take One
• Director: Jang Jin
• Screenwriter: Jang Jin
• Stars: Seung-won Cha, Yeong-Nam Jang, Dong-hwan Jeong, Gyu-su Jeong
• MPAA Rating: N/A


Buy Murder, Take One at Half.com
Rent Murder, Take One from Netflix >>

Beware! The Blob (1972)

HERE’S A RUNOFF REVIEW from the Halloween season, one I couldn’t fit in to my October postings…

Plot:
Pipeline worker Godfrey Cambridge brings home a frozen specimen of something he found on the job. The specimen is foolishly left out of Cambridge’s freezer, so it thaws and proceeds to feast on Cambridge, his wife, their cat, and a housefly. The Blob then heads across the countryside and into the local town, dining on the denizens and growing to gigantic proportions. Can young lovers Lisa (Gwynne Gilford) and Bobby (Robert Walker, Jr.) convince the authorities that the town is danger – or will everyone just think the couple’s on a bad trip? (It is the post-hippie ‘70s, after all.)

Critique:

Beware! The Blob director Larry Hagman (Dallas’ J.R. Ewing) is in no danger of taking his film too seriously. For nearly the entire running time, he alternates scenes of supposed terror with hokey, non-sequitur interludes featuring a string of oddball characters who are basically there to be served up as Blob food.

The film is plagued by poor lighting, a strange lack of close-ups, and an atmosphere that gives it a documentary or improv feel (that’s my nice way of saying the script was an afterthought).

Not only would I say avoid Beware! The Blob, but for a real Blob fix, skip the original 1958 Steve McQueen “classic” and go right to the underrated 1988 remake, co-written by Frank Darabont (The Mist). Hurry, before Rob Zombie delivers on this threat to direct his own “reimagining” of The Blob.

Trivia:
• Before the Blob snacks on him, Cambridge is watching the original Blob on TV.
• Look for cameos by Dick Van Patten (Eight is Enough), Cindy Williams (Laverne & Shirley), Burgess Meredith (the Rocky films), and Hagman himself as a doomed, drunken bum.
• Actress Gwynne Gilford (Lisa) is the mother of Star Trek star Chris Pine.
• Despite the awfulness of the film, it made this child of the ‘70s smile based on some items that appear. Push-button car radios! Pull-off beer can tabs! Ker-Bangers!
• The DVD cover for Beware! The Blob says, “Directed by Larry Hagman – The Movie That J.R. Shot!” For those old enough to remember, that line is hilarious.

aka Son of Blob.

Rating:

Will your kids want to watch it?

It depends whether your kids think the concept of a killer Blob is silly or cool. As far as objectionable content, a young couple smokes a joint and lots of people are eaten by the Blob (albeit sometimes comically and nearly always with poor FX).

Will your FilmMother want to watch it?

Not worth her time, even if she likes horror films. Rent the ’88 Blob like I mentioned earlier.

M’yeah, see, you’ll never take me alive, copper! M’yeah!

Beware! The Blob
• Director: Larry Hagman
• Screenwriter: Anthony Harris
• Stars: Robert Walker, Jr. Gwynne Gilford, Richard Stahl, Richard Webb, Marlene Clark
• MPAA Rating: PG


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Gotta Catch Santa Claus (2009)

CAN YOU THINK OF one Christmas special from the last 20 years that has gained classic status? Me neither.

Most recent attempts don’t reach a level of greatness worthy of the “classic” moniker; in fact, many come up way short (Olive the Other Reindeer, anyone?). And while I had the highest hopes for Opus and Bill’s A Wish for Wings That Work (1991) to become a beloved holiday favorite, it was not to be.

This year, there’s a new contender for the crown of Christmas classic: the animated movie Gotta Catch Santa Claus.

Plot:
At Anytown Public School (yep), tweens Trevor (Cory Doran) and Veronica (Lisa Lennox) debate the existence of Santa Claus (William Shatner) over a game of speed chess. Trevor believes in the magic of Santa, while Veronica says his whole existence and the “give presents to children everywhere in one night” shtick is logistically impossible. Trevor decides the only way to convince Veronica that Santa’s real is to catch him, with help from twin nerds Errol and Gabriel (both voiced by Nathan Stephenson). But someone may stand in the way of Trevor’s plans: LeFreeze (Cal Dodd), a big baddie made of space ice who’s got a 100-year-old grudge against the jolly fat man.

Critique:

Gotta Catch Santa Claus injects some fresh life into holiday TV and movie viewing. It’s an enjoyable, contemporary take on Santa and the season, with references to the Internet, lattes, soy milk, and gift cards – all without sacrificing the charm or purity of the season or its classics.

The film is kept at a quick yet unrushed pace largely due to the dialogue by Die Hard(!) scribe Steven De Souza, with enough in-jokes to keep adults’ interest as well as kids’.

The animation is fairly well done, and rich in colors. And while the musical numbers may not seem memorable at first, they do grow on you with repeated listenings.

As the voice of Santa, Shatner is just about a perfect pick for the part. It’s astounding that this obvious fit has only happened once before (Shatner voiced Santa for the early ‘90s cartoon Eek! the Cat.) A nice touch: Santa’s head elf is Scottish – a tip of the hat to the Kirk/Scotty relationship of the Star Trek series.

So is Gotta Catch Santa Claus a classic? It’s obviously too soon to tell. Will it get repeated plays on your TV by your kids? To quote a favorite Christmas toy, all signs point to yes.

Rating:

What did Dash think?

He definitely liked it, paying full attention and chuckling here and there. And he’s been popping in the DVD for repeat viewings practically every other day since mid-October.

Will your kids like it?

Gotta Catch Santa Claus is fun for all ages, though preschoolers may not be able to keep up with the dialogue…but they probably won’t care.

Will your FilmMother want to watch it?

She’ll probably appreciate this update. It may not replace her childhood favorites, but it’s got enough of an adult slant to make it entertaining for grown-ups as well as kids.

What a flake.

Gotta Catch Santa Claus
• Directors: Peter Lepeniotis, Jamie Waese, Jin Choi
• Screenwriter: Steven De Souza
• Cast: Cory Doran, Lisa Lennox, William Shatner, Nathan Stephenson, Cal Dodd
• MPAA Rating: G


Buy Gotta Catch Santa Claus for less at Half.com >>

The Curse of February 29th (2006)

BY NOW, you would think horror filmmakers would have covered every holiday or calendar event. (See lists of them here and here.) I mean, short of Boxing Day and the Vernal Equinox, most of them have been done.

Ah, but what about Leap Day?

I know, I should be reviewing The Curse of February 29th on said day. But since the last Leap Day was 20 months ago – and it’ll be more than two years till the next one – I’m reviewing Curse in the next logical place: the Halloween season.

Plot:

In flashback, we learn from institutionalized former toll booth worker Jieyon (Eun-jin Baek) that for several nights in a row in late February four years ago, she experienced the same routine: a power blackout, followed by a woman driving up and handing her a bloody ticket. And each night, there was a report of a murder at a different tollbooth that leads to Jieyon’s.

Jieyon fears, however outrageously, that the woman is a serial killer who supposedly died in a prison bus explosion at her toll booth on February 29th twelve years ago – though her body was never found. Every Leap Day since then, someone has been killed at a local tool booth. And with another February 29th approaching, Jiyeon fears she may be the next victim…

Critique:

The first half of The Curse of February 29th is more creepy than scary, and the film as a whole should be filed under “thriller” rather than “horror.” But no matter how you classify it, Curse is a flawed film. It provides an interesting premise, but at its core, it’s as formulaic as many of its holiday-based horror counterparts in the US:

• Mental hospital angle? Check.
• Killings based on a creepy legend? Check.
• The killer in the legend died, but the body was never found? Check.
• Creepy girl killer, with face obscured by long hair? Check.
• Nobody believes the girl in peril? Check.

It also suffers from a plodding pace; even with a tight 90-minute running time, I was checking the clock all through the finale – which concludes with a rush-to-explain, convoluted ending.

If you’re looking for good Asian horror, there are many better choices than The Curse of February 29th (might I recommend Infection). And if you’re looking for holiday-themed horror, keep your fingers crossed for Eli Roth’s full-length feature based on his Grindhouse spoof trailer Thanksgiving.

(Much like Blood Rain, The Curse of February 29th opened in its native Korea in 2006, but Pathfinder Pictures just released it in the US on DVD in this past August.)

Korean, with subtitles.

Rating:

Will your kids want to watch it?

Unless your kids follow Asian horror, it’s highly unlikely they’ve even heard of The Curse of February 29th. Just as well, because tweens and younger shouldn’t watch it due to multiple bloody stabbings and disturbing nightmare sequences.

Will your FilmMother want to watch it?

Even if she has an interest in horror or Asian cinema, I’d suggest looking for better films than Curse.

Um, excuse me, bloody knife? You’re in my shot.

The Curse of February 29th
• Director: Jong-hun Jung
• Screenwriter: Il-han Yoo
• Stars: Eun-jin Baek, Yoon-jeong Choi, Ho Im
• MPAA Rating: N/A (bloody violence, distrurbing imagery)


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Rent The Curse of February 29th from Netflix >>